Glass and Glitter

 

Dear Artists and Friends,
The long awaited “Glass and Glitter” show opens tomorrow, Sat. June 7 from 3-5pm.
 
The Glass and Glitter show is the last of a series of consecutive shows related to the materials artists use from nature. The first consecutive of shows was Clay and Textile (Sept. 10 – Oct. 22, 2023), Wood and Paper (Nov. 12, 2022 – Jan. 14, 2023), Metal and Plastic (Oct. 21, 2023 – Sat. – Ja.n.13, 2024) and the final one is the Glass and Glitter show (June 6 – July 12, 2025)
 
And this is the last show to end our fiscal year, 2025. 
 
Ever since the New Year broke in, the entire world has been experiencing “Inferno”.
Or a roller coaster ride of great changes has been going on as if the world has lost gravity, and we have been spinning at high speed with no sign of stopping. From AI to climate change, geopolitics, and social movements. Furthermore 2025 expects to be astrological turning points and their impact will reverberate in our lives for many years to come. But with great changes come great challenges. Tapping into our courage, individually and collectively, will help us co-create a brighter future. Prepare to face the friction of this upcoming year, and get ready to generate some heat. 

 

DSCN8482 5 copy.jpeg
 
Participants in the “Glass and Glitter show:
Jody Abby, Tomoko Amaki Abe, James Akers, Ricardo Arrango, Beryl Brenner, Diane Cooper Cabe, Christopher Craig, Sandra Forrest, Glen Goodenough, Miho Hiranouchi, Kumi Hirose, Julian Kirk, Laura Madsen, Mieko Mitachi, Renee Radenberg, Gloria Schulster, George Szilagyi, Aura Shahaf Woelfle.
 
The Glass and Glitter show presents the 2 different mediums used for artwork. One, the medium of Glass used for artworks, and the other medium, Glitter used for artworks or part of the decorative designs on paintings, sculptures, paperworks, and textile art.
 

The nature of the glass being mainly transparent/translucent, however, it has opalescent qualities. Glass illuminates light beautifully either through the material (transplant) or reflects on its surface (opalescent), Glitter sparkling shiny particles attached to the surface of artwork, dispersing colorful flickering light outward from the art-works. Our vision of the concrete artwork is blurred due to the illusions created by shinny glitter.  

 

We can easily imagine how interesting this Glass and Glitter show could be, noticing the  contrasting quality each medium presents.

History of Glass and Glitter

Glass making dates back to at least 3,600 years ago in Mesopotamia. However, most writers claim that they may have been producing copies of glass objects from Egypt. Other archaeological evidence suggests that the first true glass was made in coastal north Syria, Mesopotamia or Egypt.

 

Glass is an amorphous (non-crystalline) compound. Because it is often transparent and chemically inert, glass has found widespread practical, technological usage, and an art form In the 20th century, Harvey Littleton was the one of the founders of studio glass art movement which saw the emerging of Glass as a fine art form.

Glitter‘s history also spans from ancient civilizations using natural materials like mica and crushed beetles to modern glitter.

Modern Glitter was invented in the 1930s by Henry Ruschmann, a German immigrant and machinist. While working on a machine to cut photo films, Ruschmann noticed the small, shiny pieces of cellulose developed a process for cutting plastic into tiny, sparkly pieces that were being generated when the machine malfunctioned. His employees used these fragments as Christmas decorations, leading Ruschmann to see the potential for a decorative material. He developed a machine to cut photo films and paper, and sometimes the machine would “stutter,” generating small, shiny pieces of glossy cellulose. Thus, Ruschmann’s invention made glitter more accessible and affordable, and his company, Meadowbrook Inventions, is still a major producer of glitter today.

 

Modern Glitter is usually made up of hundreds – even thousands or tens of thousands – of tiny pieces of various materials from copolymer plastic and aluminum foil, titanium dioxide and iron oxides or sometimes other materials such as mica, stones and insects. Glitter‘s color and texture depends on how it’s made, such as whether it’s coated with chemicals or cut to different sizes. Fine artists started incorporating glitter into their art makings attracting attention to delight or surprise the beholders.

 

A ban on glitter made of polyethylene terephthalate (PETE) and aluminum, as it is a microplastic that can leach hormonal disruptors into the environment. Furthermore, plastic glitter takes about one thousand years to biodegrade. As glitter or spices are hydrophobic, they do not dissolve in water like salt or sugar would. Thus, it has become one of today’s serious environmental concerns.

1) Some participants’ photos taken on the opening day, June 7, 2025 by Yuko Nii
2) The Installation Scenes in the Gallery photos taken by Yuko Nii
3) Glass & Glitter Artists Talk Video
https://youtu.be/XMnIwz_OahE?si=WGoEyJ_kkQFROkzv
 
Although the number of the participants in this show was rather small, each piece is distinctively unique in technique, style, color and size, so viewers enjoy the wider scope of what these media can express artists’ unlimited creativity. The visitors comments are also interesting to note. They independently told me that they’ve never seen such a rich glass exhibition before and they’ve never thought of how glitter can be used by mature fine artists, because they assumed glitter is for young children.  
 
Although I am very happy to say that the show has been well received, it is sad to see that it will be gone out of sight soon. 
 
This is the last show of the fiscal year, 2025, and the last day of the show, which is Sat. July 12, which is the Pick-up day. 

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