Pop Goes the Weasel Closing Event

Indian dancer Sahasra Sambamoorthi performs a Traditional Indian Dance
Sunday, May 13th at 4 PM.

The “POP GOES THE WEASEL” show ends on Sunday, May 13 at 6 PM.

The curator of the show William Norton proudly said about his show “the best show I ever curated!” Yes, he is right! The show is extraordinary unique and interesting, and we’ve been receiving many positive responses from the audiences. Norton has succeeded not only in bridging the Japanese artists and the American artists in the show together, but also in the performance event. at the opening reception.

This time Norton is to introduce us another International talent, an Indian dancer, Sahasra Sambamoorthi who will perform for us the Traditional Indian Dance.

Please join us to celebrate the wonderful show ending with this special event on Sunday, May 13th at 4 PM.

Looking forward to seeing you there!

Sahasra-Sambamoorthi

Sahasra Sambamoorthi
Artistic Director

Sahasra Sambamoorthi is currently co-president at Navatman. She learned Bharatanatyam under Guru Smt Kalaimamani Ramya Ramnarayan and is the recipient of various awards including the NJSCA Folk Arts Apprenticeship. Following her graduation from Columbia University and learning much from the semi-classical troupe there Taal, she created Navatman Dance in an attempt to explore the boundaries of Bharatanatyam. Currently, she is learning Kathak from Ramya Agrawal and has taken continues to work in odissi with Bijayini Satpathy, Surupa Sen, and Pavitra Bhatt (Nrityagram) and Kuchipudi with Kishore Mosalikanti.

Sahasra-Sambamoorthi

Bharatanatyam – Advanced
Pre-K Music and Dance
Kathak – Beginner and Intermediate
Vocals – Beginner

Sahasra Sambamoorthi’s unique approach to bharatanatyam comes from the combination of her Vazhoor style training from Smt. Kalaimamani Ramya Ramnarayan and many years of training in ballet and gymnastics. Her approach to the body becomes one based on muscle alignment and strength that come through from her gymnastics, precision and exacting physics of the body from ballet, and an individual technical approach from bharatanatyam. She has been teaching since she was 15, first at the Nrithyanjali Institute of Dance, then with individual students through her early 20s and college, helping her dance troupe Columbia Taal train, and finally, at Navatman. She continues to train under Bijayini Satpathy, Pavithra Reddy and Surupa Sen at Nrityagram in Odissi, Kishore Mosalikanti in Kuchipudi, and Kathak under Prashant Shah.

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